Case Study for the Rest of the World Reflection: Francisco Brennand, my innocent visits and humiliation of African connection: Visit to the workshop; Party Paiva and the Castle Museum.

Case Study for the Rest of the World Reflection: Francisco Brennand, my innocent visits and humiliation of African connection: Visit to the workshop; Party Paiva and the Castle Museum.


African demonic subtlety comes from where you least we hope can exist.

In Brazil, the African spiritual attack occurs most commonly in Public Parties, where we innocently go and without realizing we turn this negative spiritual charge that enters subtly by our ears, the songs and the hiss of the "members" of this festive disguised religion that are watching the shows. I will return to this subject in five paragraphs for the next few paragraphs I will dedicate my first visit to the Francisco Brennand Workshop.

When I was 26, I worked at Radio FM Tribune in Recife and one of the dawn came an inspiration to write a poem dedicated to Musa woman, who was extremely beautiful. This poetry is in this Blog.A few days after writing poetry, I met a beautiful woman he fell in love at first sight, and we arranged to watch Elomar show, a regional poet smart verses. To leave this show, I introduced Poetry and asked when he finished reading it, she chose a title for this poetry and she chose the title "Way of Peace". All wore on well between us treating her like a lady, and she told me she was finishing a Literature Course Monograph on the Fable of Little Red Riding Hood and that would make a visit to Francisco Brennand because he had painted pictures on Little Red Riding Hood. We mark for a few days later to visit the Brennand Workshop, we were approaching more and more. Come the day of the visit, I took it home in a building on the seafront in Candeias district and went in my car that was a Russian jeep 4x4 at the time, which we loved for its robustness.

Upon arriving at the Brennand Workshop, I did not know what type of parts it produced, but the porch already faced with a preference which is the sculpture of deformation and coarse structures, disguised by the vitrification process seeking to give refinement to the pieces but are all demons carved in order to deform the Greco-Roman reference of our eye, the metric of perfection and good taste of the Master Phidias.


Emerson emphasizes: "In the first war to be overcome are the eyes and ears ..." "Get out of our minds with their trinkets, are nothing but hypocrites using chisels ... only serve to open our eyes to True Perfection Eternal Art. "

After meeting Brennand shake your hand as we walked up to the exit of the Workshop my friend already had other behavior, completely changed the stance rejected me, embarrassed me, finally, it was embarrassing even to take her home. I lost my girlfriend after the visit and I was 17 years without writing a new poetry which delayed me the exposure of my intellect.
That was the African tactic, sell clipboard I drew for me away from my creation and I also hinder emotionally and sexually to make me live depressed and ostracized and thus jeopardize my entire top creative ability.

The Feast of the Washerwoman of Paiva Beach:


Since my adolescence I was surfing at several beaches of the South Coast of Pernambuco, one of them is Paiva Beach where I got to go surfing around 18 years old, not very often it has beaches with better quality of nearby waves, but always conferíamos sea conditions, parking the car near the mansion of Brennand, who was then a lonely, secluded beach, few people accessed this beach only frequented by those going surfing or fishing, access was by dirt road, a fact that more restricted access yet. Ie I kilometers of tranquility and peace for sports and often the sand on the beach had a footprint of people all day except ours, was the 90's.

In 2005, a friend (false friend) invited me to his beach house to spend the weekend and surfing, because the nearby beach which is the Paiva Beach, happen the Feast of Washerwoman.Innocently, once again, with my lay mind, I did not know what was happening on the Feast of the Washerwoman of Pernambuco. The party took place in Paiva Beach a space ceded by Brennand, it was a private beach, to get the entitled party that took place on May 1st is the day of workers in Brazil, national holiday, I run into 3-5 armed stage all in African rhythm, and often in African dialects, and even a tent where it was the devil who called Holy Father of African spirits, about 15 thousand people most attached to these African manifestations, most of all on drugs and drunk, many homosexuals, some people held up shivering on the floor at last was a deplorable environment, unpleasant, a negative charge which would not submenter me the environment and not spent even half an hour, in my innocent pilgrimage within this fraudulent Party whose name is only to lure unsuspecting lay people to be plagued by this African spiritual charge.Recently, Paiva Beach was subdivided with all buildings constructed for entrepreneurs with business at the Port of Suape, they do not know the amount of African spirits that roam the beach and that their trade secrets are accessed by these spirits and are threatened.

A Visit to the Castle Museum:


In 2009, I was already outbreak of the recovery phase that I suffered in 2006 when a Holy Father of African spirits tried to control myself doing vudoo with my body, the temerity, the threat and the panic disorder. This Holy Father of African spirits is the same as controlled Marcelo Lyra who became the cameraman of Eduardo Campos campaign the President of the Republic in 2014, former Governor of the State of Pernambuco who died in the campaign in an "accident" air.

In 2009, I was still extremely frightened by the local African spiritual violence, but was treated and studying how Gnostic everything that was happening to me to be able to break free and liberate others through experiences and reports. In 2009, I still naively, I take my parents and girlfriend to visit the Castle Museum of Brennand, to enter the castle the first piece on display already shocked me because it was an old tapestry that covered the entire wall must have been about 16 square meters of this tapestry area was painted with a scene of people on the street with knives in hand tearing human hearts with the victims dying in the street. A pitiful scene to be displayed in a museum, Montezuma practice adopted in the Aztec empire and the Candomblé adopted in Brazil and should be investigated.

Spoken in movies always against violence discrimination suffered by blacks, but but not yet turned a world wide release films on African practices of atrocities and psychological violence, spiritual, physical and even torture them to comment, all heinous crimes .Today, I realize that since I was 8 years old, I am persecuted and harassed by these practitioners of these two African sects who settled in Brazil which is the Umbanda and Candomblé, they act subtly, through attempting to convince, has a great musical range by African music and through their repetitive trance settles in the subconscious of people.All this trap of creating these circumstances has lasted over 30 years, ie I'm in personal war is a war of the individual mind against an African imposing low level that settled in Brazil. This personal war has lasted the War of time of 30 years between Spain and the Netherlands so that they understand the comparison. 

This is another warning to the rest of the world about what is happening in Recife in Brazil and the need to dismantle this extremely subtle African spiritual fraud and attacking mind persuading the mind, person to person, and those who resist suffers great violence . Everything seems normal circumstances of a fact of life, but an experienced mind will realize that it is a fact reinforced by the spiritual evil body that acts in the domination of Brazil.

AUTHOR  :  RRGMNSW .'.